The New Age movement
in the Episcopal Church
Lee Penn
Summary:
This story
describes New Age activity within the Episcopal Church, emphasizing activity
within Bishop Swing's diocese, the Diocese of California. It covers The Rev.
James Parks Morton and the Cathedral of St. John the Divine, the Rev.
Matthew Fox and his "Rave Masses", and the Rev. Lauren Artress and her
Labyrinth Project.
Update:
Since I wrote the following story, there has been additional news from the
Labyrinth Project (also known as Veriditas), based on the Fall 1999 issue of
"Source," their newsletter. * Canon Alan Jones, the Dean of Grace Cathedral
(the San Francisco cathedral under Episcopal Bishop Swing), will be
installed as an "honorary canon" of Chartres Cathedral in France, on May 14,
2000. This is a reciprocal gesture, since Francois Legaux, the Rector of
Chartres Cathedral, was installed on June 17, 1999 as an honorary Canon of
Grace Cathedral. (pp. 1, 4, 14) * Some rich people and foundations are
supporting the Labyrinth. For example, in Lansing, Michigan, National City
Bank donated $100,000 to set up a Labyrinth in a garden at a local hospital,
and a gift of $125,000 "was received from a community member to name it."
(p. 6) * For the first time in Labyrinth Project literature, they mention
the United Religions Initiative (URI). Of course, the Labyrinth Project is
for the URI. The Labyrinth Project is having a 24-hour retreat at Grace
Cathedral from noon on December 31, 1999 through noon on January 1, 2000, as
Grace Cathedral's contribution to the URI 72-hour "Interfaith Peace Building
Project." (p. 7) * The article "Thinking of Creating a Labyrinth" contains
the following: "Objective: To keep the sacred geometry design intact when
building the labyrinth. To employ all the equations of proportion and
utilize all of the components that make up the labyrinth. To create sacred
space with the labyrinth being used as the centerpiece and container for
peoples [sic] spiritual exploration and renewal." (p. 8) "Types of
labyrinths: The two most powerful and established labyrinths are the Seven
Circuit labyrinth, also called the Classical Labyrinth, and the Eleven
Circuit Labyrinth from Chartres Cathedral. Each has a long historical
lineage and tradition." (p. 8) "Sacred geometry: Proportion, and using the
geometry that has been handed down, is the key to keeping the integrity of
the design. Use all the components of the labyrinth. Do not make it a
"hybrid." (p. 9) * The Labyrinth Project again confirms its New Age origin.
On pp. 16-17 of the newsletter, there is a time-line with the significant
events in the history of the project. The very first item is: "January,
1991: Lauren [Artress, the head of the Project] walks a labyrinth at a Jean
Houston seminar." (p. 16) [The story below describes the activities and
affiliations of Jean Houston.] * An article about a team of architects and
consultants that designs new Labyrinths says, "Because of some of the
bio-energetic fields of some of the proposed products [to be used in new
labyrinths], it is even more important to discuss the placement, and
remedies required, in order to offset the bio-energetic fields of the
materials. The principles of geomancy, Feng Shui, and architectural design
will be used to locate the initial labyrinth site." (p. 19)
The
Labyrinth Project staff are doing a good job of proving that the Labyrinth
walk, as they practice and teach it, is a New Age devotion, and not an
authentic revival of a medieval Christian practice.
Conditions
of use:
This story
is an extract from a book-length manuscript by me titled "False Dawn, Real
Darkness: the Millennial Delusions of the United Religions and the New Age
Movement." You may re-distribute this story by hard copy or electronically,
and you may abridge or quote from this story - IF you give credit to Lee
Penn as the author, and IF you include - in the body or as a footnote - the
following statement:
"Excerpted
from "The United Religions Initiative: Foundations for a World Religion"
(Part 2), to be published in the fall of 1999 by the Journal of the
Spiritual Counterfeits Project. You may order the complete story from the
Journal, or subscribe to the Journal, by calling (510) 540-0300, or by
writing to the Spiritual Counterfeits Project, Post Office Box 4308,
Berkeley, CA 94704, or by visiting the SCP web site,
http://www.scp-inc.org/."
-------------------------------------------------------------------------------
James Parks
Morton and the Cathedral of St. John the Divine
Other New
Age supporters of the URI include the Very Rev. James Parks Morton, formerly
the Dean of the Episcopal Cathedral of St. John the Divine in New York City,
and now President of the Temple of Understanding. (570) While at St. John
the Divine, Morton said, "The language of the 'Sacred Earth' has got to
become mainline." (571) Morton acted on this belief by holding a St. Francis
Day communion service in 1993 that invoked the gods Yemanja, Ra, Ausar, and
Obatala; the celebrant was Episcopal Bishop of New York Richard Grein. (572)
(Yemanja is an Afro-Brazilian goddess of the sea (573); Ra is the Egyptian
sun god; (574) Ausar - also known as Osiris and the Green Man - is the
Egyptian god of life and death;(575) Obatala is the Voodoo "Father of
Wisdom".(576)
Other Sunday
masses at the Cathedral of St. John the Divine have included Sufi and Lakota
ceremonies.(577) It was from the pulpit of the Rev. Morton's cathedral in
1979 that James Lovelock first publicly explained the Gaia theory - that the
earth as a whole is a living, conscious organism.(578) Morton has worked to
spread the Green gospel nationwide; he "co-founded the National Religious
Partnership for the Environment, a group that has reached over 53,000
congregations of every faith across America with the ideas of sacred ecology
and environmental responsibility." (579) He is also a board member of the
Earth Charter Project and of Global Green, USA (580) - an affiliate of
Gorbachev's Green Cross International.
The
Episcopal Diocese of California
The
attraction of New Age leaders to the URI should not be a surprise, given the
influence of the New Age movement in Bishop Swing's own diocese. This
influence has arisen without any public hindrance from the Bishop of
California. On the contrary - Bishop Swing has fostered these non-Christian
tendencies in the Episcopal Church.
Bishop Swing
has made Matthew Fox a priest in the Episcopal Church, and has given
consistent moral and financial support to Fox's efforts. The Veriditas
Project, a New Age style revival of the ancient devotional practice of
walking in labyrinths, has arisen in the Bishop's own parish, Grace
Cathedral. Bishop Swing chose to extend an invitation to "new spiritual
movements" to join the United Religions Initiative. All of this indicates
that Bishop Swing either does not understand the problems posed by the New
Age movement for the souls of the faithful (and for those outside the Church
who are being led astray by this movement), or that he considers the New Age
movement to be a good thing.
This is not
to say that the Episcopal Diocese of California and its parishes are
entirely under New Age influence. However, there ought to be no such
presence in a Church professing the Christian Faith. By analogy - a lake
needs to be contaminated by only a small amount of PCBs or dioxin in order
to be considered polluted and in need of a clean-up.
Matthew Fox
Bishop Swing
accepted Matthew Fox, formerly a Catholic priest, into the Episcopal
priesthood in 1994. Since then, Bishop Swing has offered unswerving public
support to Matthew Fox, allowing "Rave Masses" to occur at Grace
Cathedral(581) and lending $85,000 of Diocesan funds to help Fox establish
the University of Creation Spirituality.(582) This university now has 260
Doctor of Ministry students.(583)
Each month,
more than 1,200 people attend Fox's "Techno Cosmic Mass," held in a former
ballroom in Oakland, California.(584) In an article for a monthly New Age
newspaper, Conscious Life, Elaine Cohen describes the services:
"A team of
about 35 people - researchers, electricians, techies, carpenters, designers,
scholars, rappers, rabbis, disc jockeys and theologians of Christian,
Buddhist and Muslim faith - put forth a joint effort to stage one Techno
Cosmic Mass. Each Mass has a thematic focus such as Angels, or the Celtic
tradition or Reviving the Sacred Masculine. For the Return of the Divine
Feminine theme, over 700 goddess images from all cultures were projected on
the walls."(585)
Matthew Fox
described the Rave Mass that occurred at Grace Cathedral on Reformation
Sunday, October 29, 1994. There was a sun altar and a moon altar, used in a
"Mass" where sin was "renamed:"
"It was like
being in a forest, where every direction one turned there was beauty and
something interesting to behold. This included not only the singers,
dancers, and rappers I have referred to already, but also the projections on
large video screens, on television sets, on a huge globe suspended over the
beautiful altars (one a sun altar, the second a crescent moon altar). On the
screens were hummingbirds hovering, galaxies spinning, flowers opening,
humans marching, protesting, embracing and polluting (sin was present and
indeed renamed for us at the Mass). Life was there in all its panoply of
forces, good and not so good, human and more than human."(586)
Perhaps it's
just as well that Fox did not name or describe the "forces ... more than
human" that attended this service.
Fox
incorporates dance into his "masses," the better to stimulate the chakras of
those who attend:
" 'Dancing
is [one of] the oldest forms of prayer,' says Fox, 'which you see in the
African, and native American traditions, the Jewish and Christian traditions
as well. Dance gets people into their lower chakras, the direct link with
the life force'." (587)
Fox is not
the first to envision worship services that would get people "into their
lower chakras." In his 1932 novel Brave New World, Aldous Huxley had
prophesied sensual, high-tech liturgies that go even further than the Rave
Mass. As Huxley's "Solidarity Service" moved to its peak, "a sensation of
warmth radiated thrillingly out from the solar plexus to every extremity of
the bodies of those who listened; tears came into their eyes; their hearts,
their bowels seemed to move within them, as though with an independent
life."(588) (Huxley's service in Brave New World, however, climaxed in a
manner that does not occur in Fox's services.)
Fox has said
that his theological agenda is to overturn Christian doctrine, as it has
been understood since the first ecumenical Council at Nicaea:
"What is the
rediscovery of the Cosmic Christ if not a deconstruction of the 'power
Christology' that launched the Christian empire in the Nicean [sic] Council
in the fourth century and an effort to reconnect to the older, biblical
tradition, of Christ as cosmic wisdom present in all beings?"(589)
Bishop Swing
was present at Fox's 1994 rave liturgy, and loved it. He said that:
"the Mass
reminds him 'of an experience I had as a 9-year old boy in West Virginia,
coming to a sense of God through Nature. That gets so layered over by
generations of study and theology, but this Mass leads one back toward that
great awe.' Swing, who has been bobbing to the techno-music, says it's 'so
nice to see the church with a new song and a new language,"(590) and added
"The whole business of having the Eucharist in the context of Nature, and
the planets, and the unfolding of life is a context that has to happen. This
is probably around the time of the genesis of liturgies like this, and I'm
sure that there will be more and more. It's coming ... So we brought a lot
of people in their twenties and thirties who don't go to church, and they
were struck by this. I love it. I think we're on our way."(591)
Fox has
influence within the Episcopal Church nationally, as well. One of his
lecture circuit stops was to give a keynote speech at the June 1997 National
Conference of the Episcopal Recovery Ministries at All Saints Parish in
Pasadena, California. The speech "moved from individual recovery to recovery
in and of the Church to recovery of the planet."(592) Fox is also a familiar
figure at New Age "holistic" conferences.
Veriditas
and the Labyrinth Project
Grace
Cathedral is also home to Veriditas,(593) led by Lauren Artress, an
Episcopal priest and an honorary Canon of the Cathedral. (594) Veriditas is
also known as the Labyrinth Project.
The two
labyrinths at Grace Cathedral are copies of the labyrinth that has been at
Chartres Cathedral in France since the Middle Ages. During the Middle Ages,
pilgrims to Chartres could walk this labyrinth as the culminating point of
their journey. Similar labyrinths also exist at a few other medieval
cathedrals in France and Germany. A story from the Grace Cathedral web site
reports:
"Early
Christians took a vow to visit the Holy City of Jerusalem at some point in
their lives. During the Middle Ages, as the Crusades made travel to
Palestine unsafe, other means were needed to honor that sacred commitment.
Labyrinths were adopted by the Roman Church to offer the congregation a way
of fulfilling their sacred vows. Christians made their pilgrimages to the
cathedral cities of Chartres, Rheims or Amiens, completing their physical
and spiritual journeys in the cathedral labyrinths." (595)
The Chartres
labyrinth is normally covered with chairs; it is cleared of obstructions for
special events - such as the Labyrinth Project pilgrimages.(596)
Despite this
link to a Christian tradition, the labyrinth walk - as practiced and
promoted by Veriditas - is New Age in origin and spirit. The same story from
the Grace Cathedral web site, written by a supporter of the Labyrinth
Project, shows the extensive non-Christian lineage of religious use of the
labyrinth:
"Labyrinths
predate Christianity by over a millennium. The most famous labyrinth from
ancient times was the Cretan one, the supposed lair of the mythological
Minotaur, which Theseus slew with the aid of Ariadne and her spool of
thread. Turf labyrinths still exist in England, Germany and Scandinavia, and
are thought to be linked with local feminine deities and fertility rituals."
(597)
Veriditas'
own literature about the meaning of the labyrinth is virtually free of
specific connections to Christian tradition or practice. For example:
"What is a
Labyrinth? The Labyrinth is an archetype, a divine imprint found in
religious traditions in various forms around the world. ... The labyrinth is
a mandala that meets our longing - for a change of heart; for a change of
ways in how [sic] we live together on this fragile island home; and for the
energy, vision, and the courage to become agents of transformation in an age
when no less will suffice to meet the challenges of survival."(598)
Veriditas
promotes walking through labyrinths as a transformative spiritual
experience, a way for "all to find healing, self-knowledge and our soul
assignments and to continue weaving the Web of Creation."(599) According to
Artress, the Labyrinth is also "a perfect spiritual tool for helping our
global community to order chaos in ways that take us to the vibrant center
of our being. You walk to the center of the labyrinth and there at the
center you meet the Divine." (600)
Veriditas
newsletters and advertisements consistently invoke an amorphous form of
spirituality, as if the Incarnation had never happened. For example, a
November 1998 article at the Grace Cathedral web site said, "In 1992 the
Reverend Lauren Artress brought the labyrinth to Grace Cathedral in an
effort to bring people back to their center and allow them to experience
Spirit for themselves."(601) The name, the Lordship, and the saving acts of
Christ are rarely mentioned by the Labyrinth Project - a radical difference
from widely used Christian walking devotions such as the Stations of the
Cross. This is no accident; the mission of Veriditas is not to promote a
specifically Christian use of the labyrinth as a devotional tool. Instead,
as Artress said in the first Veriditas news letter:
"Veriditas
is an interfaith non-profit religious corporation. Its mission is to
propagate the use of labyrinths - from all traditions - around the world and
to teach people its use as a spiritual tool."(602)
Labyrinth
Project literature demonstrates that the Project does not provide a
Christian context for this "spiritual tool."(603) The Project calls upon God
as "God," "Living God," Living Light," "the Divine," "Divine Mother," Divine
Life Force," "Source," and "sacred feminine." Some of these names are firmly
within the Christian tradition, and others - such as the "Divine Mother" and
the "sacred feminine" - are not. The project's literature assiduously avoids
providing the specific Christian content that anyone could get from the
Lord's Prayer, the Apostle's Creed, the Rosary, or the Jesus Prayer.(604) In
the three Labyrinth Project newsletters published in 1998, there is no
mention of the Trinity, the Crucifixion, the Resurrection, the Empty Tomb,
God the Father, or God as Lord and King. The Holy Spirit is not named as the
Third Person of the Trinity. The words - and the concepts - of sin, divine
judgment, heaven, hell, repentance, redemption, and salvation are likewise
absent. Stories in the Project's newsletters mentioned Jesus only three
times over the course of a year.
Since 1995,
Artress has promoted the Labyrinth as a way to make a connection with "the
Divine feminine," "the God within, the goddess." A friendly reviewer of
Artress' Walking A Sacred Path: Rediscovering the Labyrinth as a Spiritual
Tool, a book published in 1995, quotes one of Artress' descriptions of the
Labyrinth: "The labyrinth is a large, complex spiral circle which is an
ancient symbol for the divine mother, the God within, the goddess, the holy
in all creation."(605) Artress led a Labyrinth workshop, "Sacred Circles: A
Celebration of Women's Spirituality," at the Episcopal National Cathedral in
July of 1996; one of the speakers was Jane Holmes Dixon, the Suffragan
Bishop of the Diocese of Washington.(606) (In recent years, Ms. Dixon has
made several forced visits to conservative Episcopal parishes in her diocese
that do not recognize the legitimacy of ordaining women as priests or
bishops.) Regarding this workshop, Artress said, "we are doing a wonderful
women's conference called Sacred Circles. It is based on the labyrinth and
the sacred walk being connected to the Divine feminine."(607)
In July of
1999, the Labyrinth Project advertised a "Women's Dream Quest" workshop
called "Dreaming the Abundance of the Divine Mother." (Lauren Artress and
Judith Tripp were the co-founders of the "Women's Dream Quest)."(608) The
announcement states, "In the fullness of summer's bloom, we experience the
generosity of the mother who nourishes her family, her projects, her planet,
and herself. We celebrate the abundance of the Divine Mother and open to
receive her blessings."(609) Other "Women's Dream Quest" workshops held at
Grace Cathedral and advertised by the Labyrinth Project have included
"Inviting the Tender Spring to Come," "Dreaming the Midsummer's Night
Dream," and "Dreaming the Rich Darkness of Autumn," all held in 1998.(610)
Jean
Houston: mother of the Labyrinth at Grace Cathedral
An on-line
news story provided by Grace Cathedral states that Artress' "mentor and
teacher" is Jean Houston, "a leading figure in the Human Potential Movement"
and "co-director of the Foundation for Mind Research in Pomona, New
York."(611) Artress first walked the labyrinth "in a workshop at
psychologist Jean Houston's Mystery School" (612) in 1991; from that time
onward, "the idea to place the labyrinth in Grace Cathedral suddenly
dominated her life. ... This initial experience nurtured her spirituality
and sent her imagination sparking with the idea of creating a universal
walking ritual open to people from all traditions."(613)
Houston can
thus add the Veriditas Project to her long list of accomplishments on behalf
of the New Age movement. Houston claims wide influence, having "worked to
implement cultural growth and social transition in more than 40 countries
with international development agencies, and in Bangladesh and Burma with
UNICEF. She consults to CEOs and leads workshops at companies such as Kraft,
Xerox, General Electric, Beatrice Foods, and others."(614) Over the years,
Houston's collaborators and advisers have included a host of advocates for
the post-1965 spiritual upheaval in the US and Western Europe, including
Stanislav Grof, Elaine Pagels, Joseph Campbell, Margaret Mead, Alan Watts,
Moshe Feldenkrais, and Edgar Mitchell.(615)
Houston,
like Artress, promotes "spirituality" per se as a good thing. However, not
all spirits are good ones. Opening the door to the "divine mother" can open
the door to worship of pagan goddesses. Dr. Robert Masters, Houston's
husband (616) and a co-founder of her Foundation for Mind Research,(617)
provides an example of this. He describes himself as one who has "devotedly
followed the Way of the Goddess Sekhmet for more than thirty years."(618)
The on-line bookstore at Jean Houston's web site sells two article reprints
and one book that offers honor to "Goddess Sekhmet."(619) Part of Masters'
"Invocation of Sekhmet" calls upon this Egyptian goddess: "Thou art the
Terror Before Which fiends tremble! Thou are Lust! Thou art Life!
Ever-Burning ONE!"(620)
Veriditas is
also offering "labyrinth seed kits" for $125, plus shipping costs. It
appears to be a Western way to invoke New Age energy, using "equations of
sacred geometry" to build a labyrinth with "the intended balanced, energetic
climate":
"The
Veriditas Seed Kit enables groups to make this powerful transformational
tool available for ritual and spiritual discovery. The Seed Kit is designed
to assist groups in creating a portable eleven circuit canvas labyrinth. It
contains a series of booklets that give basic information on the materials
you will need to assemble, the steps to take in making the labyrinth and the
necessary equations of sacred geometry you will need to layout [sic] and
make a labyrinth. ... The kit is unique in that it follows the lost
tradition of sacred geometry allowing you to make the labyrinth with the
intended balanced, energetic climate that is created regardless of
size."(621)
A Labyrinth
devotee describes the results of this spiritual practice for him:
"It has
opened my creativity and has aroused my personal senses for feelings and
promoted relationships with others. I have been drawn to the symmetry, brain
re-mapping and energy production possibilities. I have every hope that the
labyrinth will do the same for others who walk this ancient sacred
path."(622)
This poor
fellow does indeed write as if his brain has been re-mapped. As for "energy
production" - can he give us any evidence of net gain in kilocalories or
joules due to use of the Labyrinth?
Meanwhile,
word of the Labyrinth spreads worldwide; as Artress says, "We have been on
the Peter Jennings ABC Evening News, on the front page of the New York Times
and even been taped for the 'Remembering the Spirit' segment for
Oprah!"(623) Artress claims that "over a million people have walked the
labyrinth at Grace Cathedral alone, with hundreds of other sites springing
up across the country."(624)
Some
Catholics have been drawn into the Labyrinth, as well. Foremost among these
is Fr. François Legaux, Rector of Chartres Cathedral. He first visited the
Labyrinth at Grace Cathedral in May of 1997.(625) After this visit, Fr.
Legaux wrote to Lauren Artress that "I returned to Chartres convinced that I
need to open myself more to this labyrinth way and to offer its use even
more."(626) Since then, Fr. Legaux has hosted several Labyrinth Project
pilgrimages to his cathedral.(627) Fr. Legaux was installed as an Honorary
Canon of Grace Cathedral at a "Festive Evensong Service" held on June 17,
1999; he also was one of the three presenters at the "Moments in Time"
labyrinth pilgrimage at Grace Cathedral on the weekend of June 18-20.(628)
In addition,
Labyrinth workshops have occurred at these Catholic sites: the Franciscan
Renewal Center in Portland, Oregon (October, 1997(629) and November
1998)(630), the Serra Retreat Center in Malibu, California (October 1998
(631) and February 1999)(632), the Bons Secours Retreat Center in
Marriotsville, Maryland (March/April 1998(633) and August, 1999)(634), and
the Holy Spirit Retreat Center in Encino, California (March 1996)(635). If
the Labyrinth walk at these sites is led as a Christian meditation by
Christian facilitators, this is not a problem. If, however, the Labyrinth
walks at these Catholic facilities are led in the fashion suggested by the
Labyrinth Project, then these facilities are - knowingly or not - helping
their guests connect to "the Divine feminine."(636)
The
predecessor to Veriditas was the Quest Program, founded in 1986 by Lauren
Artress.(637) In addition to introducing the Labyrinth to Grace Cathedral,
Quest sponsored other openly New Age events. For example, Quest and the
California Institute of Integral Studies co-sponsored two "celebrations of
divine union" in the spring of 1995: seminars on "The Renaissance of
Christian Spirituality: Eros, Ecstasy, & Creation," and "The Sacred
Marriage: Alchemy at the Edge of History."(638) The teachers of these
classes included Barbara Marx Hubbard and Rosemary Ruether, among others.
The ad appeared on the back cover of Creation Spirituality magazine, whose
editor-in-chief was Matthew Fox.
A common
funding source for Episcopalian, New Age antics
There's at
least one common source of funding for these Episcopalian, New Age antics.
Laurance S. Rockefeller and his Fund for the Enhancement of the Human Spirit
have funded Matthew Fox,(639) the Quest Program,(640) Grace Cathedral,(641)
and Barbara Marx Hubbard. In one book, Marx Hubbard describes Rockefeller as
her "beloved patron," (642) and in another, she says that Rockefeller's
"intuition about 'the Christ of the 21st Century' deeply inspired me."(643)
Rockefeller also assisted the Lindisfarne Association, thus supporting the
efforts of James Parks Morton, David Spangler, and other New Age
luminaries.(644)
--------------------------------------------------------------------------------
Footnotes
NOTE:
Internet document citations are based on research done between September
1997 and August 1999. Web citations are accurate as of the time the Web page
was printed, but some documents may have been moved to a different Web site
since then, or they may have been removed entirely from the Web.
570 Late
1997 letter from the Interfaith Center of New York and the Temple of
Understanding, signed by the Very Rev. James Parks Morton as President of
the two groups
571 Alan
AtKisson, "The Green Cathedral: An Interview with the Rev. James Parks
Morton," IN CONTEXT # 24, Internet document,
http://www.context.org/ICLIB/IC24/Morton.htm, p. 3
572 Terry
Mattingly, "Liturgical Dances With Wolves (1993): Ten Years As An
Episcopalian: A Progress Report;" p. 2; he quotes the printed worship
booklet for 'Liturgy and Sermon, Earth Mass - Missa Gaia,' distributed on
October 3, 1993, at the Cathedral of St. John the Divine
573
"Yemanja," Internet document,
http://www.wigmag.com/culture/stories-yemanja.html; its name is also spelled
"Yemenja"
574
"Ra," Internet document,
http://www.radiant.org/bubastis/deity/ra.html
575 "Asar
(Osiris)," Internet document,
http://www.radiant.org/bubastis/deity/asar.html, its name is also spelled
Ausar
576
"Obatala," Internet document,
http://cultural-expressions.com/ifa/orisha/obatala.htm
577 Trebbe
Johnson, "Genesis of a movement: Paul Gorman's quest for a whole-earth
religion," e-Amicus, Spring 1997, Internet document,
http://www.nrdc.org/eamicus/97spr/ge1.html, p. 3
578 Alan
AtKisson, "The Green Cathedral: An Interview with the Rev. James Parks
Morton," IN CONTEXT # 24, Internet document,
http://www.context.org/ICLIB/IC24/Morton.htm, p. 3
579 Temple
of Understanding bulletin, "The First Annual Juliet Hollister Awards,"
December 16, 1996, United Nations, New York City
580
Interfaith Center of New York, "Bio: The Very Reverend James Parks Morton,"
Internet document, http://www.interfaithcenter.org/JPMBio.html, pp. 2, 3
581 Richard
Scheinin and Matthew Fox, "Reinventing Ritual: The Planetary Mass," Creation
Spirituality, Spring 1995, Vol. XI, no. 1, p. 29 ("Press Release: Multimedia
Mass A New Form of Church for Postmodern Era")
582 "ECUSA
Diocese Helps Fund 'Creation Spirituality' School," The Christian Challenge,
May 1996, p. 18
583 Elaine
Cohen, "Matthew Fox: Techno Cosmic Mass Heralds New Spirituality," Conscious
Life, July 1999, p. 11
584 Elaine
Cohen, "Matthew Fox: Techno Cosmic Mass Heralds New Spirituality," Conscious
Life, July 1999, p. 11
585 Elaine
Cohen, "Matthew Fox: Techno Cosmic Mass Heralds New Spirituality," Conscious
Life, July 1999, p. 11
586 Richard
Scheinin and Matthew Fox, "Reinventing Ritual: The Planetary Mass," Creation
Spirituality, Spring 1995, Vol. XI, no. 1, p. 32 (Matthew Fox, "Experiencing
the First Planetary Mass in America")
587 Elaine
Cohen, "Matthew Fox: Techno Cosmic Mass Heralds New Spirituality," Conscious
Life, July 1999, p. 11
588 Aldous
Huxley, Brave New World, 1932, Harper Perennial (1989 ed.), ISBN
0-06-080983-3, p. 83; see the description of the remainder of this liturgy
on pp. 78-86 (chapter V, part 2)
589 Matthew
Fox, "Creation Spirituality: Here Come the Postmoderns," Creation
Spirituality, Autumn 1995, Vol. XI, no. 3, p. 5
590 Richard
Scheinin and Matthew Fox, "Reinventing Ritual: The Planetary Mass," Creation
Spirituality, Spring 1995, Vol. XI, no. 1, p. 28 (Richard Scheinin,
"Multimedia imagery Techno-ambiant [sic] music It's the Planetary Mass")
591 Richard
Scheinin and Matthew Fox, "Reinventing Ritual: The Planetary Mass," Creation
Spirituality, Spring 1995, Vol. XI, no. 1, p. 30 ("Reactions")
592 William
Sibley, "From the Superior," Holy Cross (Newsletter of the Order of the Holy
Cross), Vol. XIX, No. 2, p. 2
593 Lauren
Artress, "The Birth of Veriditas," Veriditas, Winter 1996, Vol. 1, No. 1, p.
1; according to Artress, this word - spelled viriditas in classical Latin -
means "springtime"
594 Lauren
Artress, "The Birth of Veriditas," Veriditas, Winter 1996, Vol. 1, No. 1, p.
1
595 Peter
Corbett, "Pathfinders: Walking medieval labyrinths in a modern world,"
Internet document,
http://www.gracecathedral.org/enrichment/features/fea_19981120_txt.shtml, p.
2
596 July 9,
1999 e-mail from Bryan Dunne, reporting on a recent BBC program about the
labyrinth; July 4, 1999 e-mail from Cathy Conwill, who visited Chartres in
the fall of 1998
597 Peter
Corbett, "Pathfinders: Walking medieval labyrinths in a modern world,"
Internet document,
http://www.gracecathedral.org/enrichment/features/fea_19981120_txt.shtml, p.
2
598
Labyrinth Project, "What Is A Labyrinth," Internet document,
http://www.gracecom.org/veriditas/press/whatlab.shtml, 1996
599 Lauren
Artress, "The Launching of the Labyrinth Network: Restoring the Web of
Creation," Veriditas, Vol. 1, no. 2, Summer 1996, p. 1
600 Lauren
Artress, "Q and A with Lauren," Veriditas, Vol. 1, no. 2, Summer 1996, p. 18
601 Peter
Corbett, "Pathfinders: Walking medieval labyrinths in a modern world,"
Internet document,
http://www.gracecathedral.org/enrichment/features/fea_19981120_txt.shtml, p.
1
602 Lauren
Artress, "The Birth of Veriditas," Veriditas, Winter 1996, Vol. 1, No. 1, p.
1
603 The
analysis in this paragraph is based on a detailed review of these Labyrinth
Project publications: Source, no. 6, Spring 1998; Source, no. 7, Summer
1998; Source, no. 8, Fall 1998, and "Moments in Time," a Veriditas brochure
issued in the spring of 1999
604 "Lord
Jesus Christ, Son of the Living God, have mercy on me, a sinner."
605 Lauren
Artress, Walking a Sacred Path: Rediscovering the Labyrinth as a Sacred
Tool, Riverhead Books/G. P. Putnam's Sons, 1995; sentence quoted by Pamela
Sullivan, "Book Review," Pacific Church News, June/July 1995, p. 8
606
Advertisement, Veriditas, Vol. 1, no. 2, Summer 1996, p. 6; "Spiritual
Perspectives Program: A Look at the 1996 Sacred Circles Conference,"
Internet document,
http://www.cathedral.org/cathedral/nca/spiritual-perspectives/sacred.html,
p. 1
607 Lauren
Artress, "Q and A with Lauren," Veriditas, Vol. 1, no. 2, Summer 1996, p. 15
608
Veriditas, "Dreaming the Abundance of the Divine Mother," advertisement in
brochure issued in the spring of 1999, p. 3
609
Veriditas, "Dreaming the Abundance of the Divine Mother," advertisement in
brochure issued in the spring of 1999, p. 3
610
Advertisement for "Women's Dream Quest," Source (newsletter of the Labyrinth
Project), no. 6, spring 1998, p. 4
611 Kristen
Fairchild, "A Passion for the Possible: An Interview with Jean Houston," The
Spire, Textures 11/04/97, Internet document,
http://www.gracecathedral.org/enrichment, p. 4
612
"Spiritual Perspectives Program: A Look at the 1996 Sacred Circles
Conference," Internet document,
http://www.cathedral.org/cathedral/nca/spiritual-perspectives/sacred.html,
p. 1
613 Lauren
Artress, "The Labyrinths of Grace," Grace Online, 07/01/97, the archives;
Internet document, http://www.gracecathedral.org/enrichment, p. 1
614 "Jean
Houston On-Line: CountryLiving's Article," Internet document,
http://www.jeanhouston.org/articles/genius.jean.html, p. 3
615
"Foundation for Mind Research," Internet document,
http://www.jeanhouston.org/foundation.html, pp. 1-2
616
Paula Span, "Spirits Lifted, Not Summoned," Washington Post, June 25, 1996,
p. C01; Internet version obtained from
http://washingtonpost.com
617
"Foundation for Mind Research," Internet document,
http://www.jeanhouston.org/foundation.html, p. 1
618 Robert
Masters, "The Sekhmet Project," Internet document,
http://www.robertmasters.org/sekhmet/sekhmet.mail.html, p. 1
619 Jean
Houston and Robert Masters Bookstore, Internet document,
http://www.jeanhouston.org/books/bookstore.html, p. 1
620 Robert
Masters, "The Sekhmet Project," Internet document,
http://www.robertmasters.org/sekhmet/sekhmet.mail.html, p. 3
621 "Seed
kit," Source (newsletter of the Labyrinth Project), no. 6, spring 1998, p. 4
622 "meet
Stu," Source (newsletter of the Labyrinth Project), no. 6, spring 1998, p. 7
623 Lauren
Artress, "Imagine ...", Source (newsletter of the Labyrinth Project), no. 8,
fall 1998, p. 12; for further information about Oprah Winfrey, see Ron
Rhodes, "The 'Oprah Effect'," SCP Journal, Vol. 22:4-23:1, 1999, ISSN
0883-13, pp. 26-37
624
Grace Cathedral, " 'In the labyrinth,' Artress says, 'the set path takes you
to the center' ..."; Internet document,
http://www.gracecathedral.org/enrichment
625 Lauren
Artress, "An Honored Guest from Chartres Cathedral," Veriditas, Vol. II, no.
1, spring 1997, p. 1
626 Chanoine
Francois Legaux, Letter to Veriditas, Source (newsletter of the Labyrinth
Project), Vol. II, no. 2, summer 1997, p. 2
627
Advertisement, "Mary and the Birth of the Soul," Source (newsletter of the
Labyrinth Project), no. 6, spring 1998, p. 2 and Source, no. 8, fall 1998,
p. 13; also, advertisement, "Let Us Walk With Mary," Source, no. 8, fall
1998, p. 2
628
Advertisement, "Moments in Time," Veriditas, brochure issued in the spring
of 1999, p. 1
629
Advertisement, "Circles of Inspiration," Source (newsletter of the Labyrinth
Project), Vol. II, no. 2, summer 1997, p. 21
630
Advertisement, "The Theatre of Enlightenment," Source (newsletter of the
Labyrinth Project), no. 6, spring 1998, p. 23
631
Advertisement, "The Theater of Enlightenment," Source (newsletter of the
Labyrinth Project), no. 7, summer 1998, p. 2
632
Advertisement, "The Theater of Enlightenment," Source (newsletter of the
Labyrinth Project), no. 8, fall 1998, p. 22
633
Advertisement, "The Theater of Enlightenment," Source (newsletter of the
Labyrinth Project), no. 6, spring 1998, p. 23
634 Source
(newsletter of the Labyrinth Project), no. 8, fall 1998, p. 22
635
"Lauren's Travels 1996," Veriditas, Vol. 1, no. 1, Winter 1996, p. 6
636 Lauren
Artress, "Q and A with Lauren," Veriditas, Vol. 1, no. 2, Summer 1996, p. 15
637
"Experience the Labyrinth," advertisement in The Learning Annex, October
1995, p. 25
638 Back
cover ad, Creation Spirituality, Spring 1995, Vol. XI, no. 1
639 Matthew
Fox, The Coming of the Cosmic Christ: The Healing of Mother Earth and the
Birth of a Global Renaissance, Harper San Francisco, 1988, ISBN
0-06-062915-0, p. xi
640
Veriditas promotional flyer, "Veriditas invites you to the Theater of
Enlightenment," 1998
641 Donor
list, Grace Cathedral Magazine, Spring 1995, p. 9; covers donations made to
the Cathedral capital campaign as of March 1, 1995; Rockefeller donated at
least $10,000, according to this listing.
642 Barbara
Marx Hubbard, Conscious Evolution: Awakening the Power of Our Social
Potential, New World Library, Novato, California, 1998, ISBN 1-57731-016-0,
p. viii
643 Barbara
Marx Hubbard, The Revelation: A Message of Hope for the New Millennium,
Nataraj Publishing, Novato, CA, 1995, ISBN 1-882591-21-6, p. 350
644 The
Lindisfarne Association, "History of the Association," Internet document,
http://redwood.pacweb.com/lindisfarne/history.html, p. 1